{"id":1924,"date":"2012-01-03T11:15:08","date_gmt":"2012-01-03T09:15:08","guid":{"rendered":"http:\/\/www.archaiologia.gr\/agon\/?post_type=archive&#038;p=1924"},"modified":"2021-11-08T13:56:52","modified_gmt":"2021-11-08T11:56:52","slug":"tauro","status":"publish","type":"post","link":"https:\/\/www.agonfestival.com\/en\/2012\/01\/03\/tauro\/","title":{"rendered":"Tauro"},"content":{"rendered":"<p>The bull is wild. Man wants to control, to tame, to eat it. And this has been happening since the beginning of time. \u201cTauro\u201d is a short film about man\u2019s most ancient relationship with animals. Everything begins with the Lascaux Cave Paintings. Already, the bull appears on the cave walls, as one of man\u2019s favorite animals of prey. Later, as man tames the bull, it becomes a mythological being, it takes part in bull-fights, becomes a useful animal and is bred. In this way, the bull is sometimes a hunter and other times hunted, and his relationship with man \u2013from the depths of time to today\u2013 remains controversial. The depiction of these age-old developments through only a few images in an animated film has been fully achieved in \u201cTauro\u201d. A series of images extend from cave-painting, ancient pottery and Durer\u2019s \u201cBirth of Christ\u201d to Picasso\u2019s renderings of bull fighting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The bull is wild. Man wants to control, to tame, to eat it. 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