{"id":6233,"date":"1996-06-01T12:18:53","date_gmt":"1996-06-01T12:18:53","guid":{"rendered":"http:\/\/agon.archaiologia.gr\/?p=6233"},"modified":"2021-11-08T15:59:51","modified_gmt":"2021-11-08T13:59:51","slug":"the-awards-of-the-1st-agon-international-meeting-of-archaeological-film-of-the-mediterranean-area","status":"publish","type":"post","link":"https:\/\/www.agonfestival.com\/en\/1996\/06\/01\/the-awards-of-the-1st-agon-international-meeting-of-archaeological-film-of-the-mediterranean-area\/","title":{"rendered":"The Awards of the 1st AGON, International Meeting of Archaeological Film of the Mediterranean Area"},"content":{"rendered":"<p>Today, June 1, 1996, Agon&#8217;s Committee met and awarded eight prizes in total, for:<br \/>\n1. Conceptual Originality, 2. Direction, 3. Script, 4. Photography, 5. Educational Film, 6. Prize of the journal ARCHAIOLOGIA &amp; TECHNES,<br \/>\n7. Grand Prize of the Greek Film Archive, 8. Grand Prize of the Awarding Committee<\/p>\n<p>The prize for <strong><span style=\"color: #333333;\">Conceptual Originality<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">LAOCOON&#8217;S RETURN, THE TROAD LANDSCAPE AS A MEMORIAL OF WAR<\/span><\/strong> (Germany), <em>for its daring to draw parallels between archaeological subjects and problems of the contemporary world<\/em>.<\/p>\n<p>The prize for the <strong><span style=\"color: #333333;\">Best Direction<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">T<\/span><span style=\"color: #0000ff;\">HE GRECO-ROMAN MUSEUM OF ALEXANDRIA<\/span><\/strong> (Egypt), <em>for its successful attempt to enliven the naturally static exhibits of the Museum of Alexandria, using dialogues transcending the ages<\/em>.<\/p>\n<p>The prize for the <strong><span style=\"color: #333333;\">\u0392est Script<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">MADE BY LYSIPPUS<\/span><\/strong> (Greece), <em>for its sensitive and literary approach to the sculptor Lysippus and his work.<\/em><\/p>\n<p>The prize for the <strong><span style=\"color: #333333;\">Best Photography<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">DOKOS, THE OLDEST KNOWN SHIPWRECK IN THE WORLD (Greece)<\/span><\/strong>,<em> for its skillful use of equipment in underwater photography and its recording of the oldest known shipwreck in the world.<\/em><\/p>\n<p>The prize for the <strong><span style=\"color: #333333;\">Best Educational Film<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">MEMORIE OF FIRE. MEMORIE OF EARTH<\/span><\/strong> (France), <em>for its convincing and appealing style and for the accurate cinematic presentation of a lecture in experimental archaeology<\/em>.<\/p>\n<p>The prize of the journal <strong><span style=\"color: #333333;\">ARCHAIOLOGIA &amp; TECHNES<\/span><\/strong> is awarded to the film<strong><span style=\"color: #0000ff;\"> THE GODS BEYOND AND AROUND<\/span><\/strong> (Bulgaria), <em>for its consistent style and its balance between picture, spoken word and narrative, in a truly archaeological documentary<\/em>.<\/p>\n<p>The prize of the <strong><span style=\"color: #333333;\">Greek Film Archive<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">BETWEEN HEAVEN AND EARTH \u2013 THE OCCULT SIDE OF ART<\/span><\/strong> (Italy), for its freedom of expression, its prolific use of the cinematic language and its philosophical symbolism and conceptions.<\/p>\n<p>The <strong><span style=\"color: #333333;\">Grand Prize of the Awarding Committee<\/span><\/strong> is awarded to the film <strong><span style=\"color: #0000ff;\">APER-EL, THE FORGOTTEN VIZIER<\/span> <\/strong>(France), <em>for its harmonious thematic development, its scientific approach to the archaeological data, and its impeccable cinematic language<\/em>.<\/p>\n<p><span style=\"color: #333333;\">The Awarding Committee<\/span><br \/>\n<strong><span style=\"color: #333333;\">Memi Spyratou<\/span><\/strong>, Film Director- Chairman of the Awarding Committee<br \/>\n<strong><span style=\"color: #333333;\">Eleni Glykatzi-Ahrweiler<\/span><\/strong>, Professor at the Sorbonne, President of the University of Europe<br \/>\n<strong><span style=\"color: #333333;\">Nikos Koundouros<\/span><\/strong>, Film Director<br \/>\n<strong><span style=\"color: #333333;\">Dario Di Blasi<\/span><\/strong>, Director of the Rovereto Archaeological Film Festival<br \/>\n<strong><span style=\"color: #333333;\">Christos Boulotis<\/span><\/strong>, Archaeologist<br \/>\n<strong><span style=\"color: #333333;\">Tahar Ben Redjeb<\/span><\/strong>, Director of the Amiens Archaeological Film Festival<br \/>\n<strong><span style=\"color: #333333;\">Anna Lambrakis- Simirioti<\/span><\/strong>, Editor of the journal ARCHAIOLOGIA &amp; TECHNES<br \/>\n<strong><span style=\"color: #333333;\">Eudald Sola i Farres<\/span><\/strong>, Professor of Hellenic Studies at the University of Barcelona<br \/>\n<strong><span style=\"color: #333333;\">Maria Stoffella<\/span><\/strong>, Painter<br \/>\n<strong><span style=\"color: #333333;\">Ann Fenton<\/span><\/strong>, Former Chief Librarian at UNESCO<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today, June 1, 1996, Agon&#8217;s Committee met and awarded eight prizes in total, for: 1&#8230;.<\/p>\n","protected":false},"author":2,"featured_media":6012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[977,976],"tags":[],"agentacat":[],"class_list":["post-6233","post","type-post","status-publish","format-standard","has-post-thumbnail","category-1996-en","category-archive-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - 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